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Astrology in Shakespeare's Plays
Do we need to understand astrology in order to understand Shakespeare? It would be difficult to fully comprehend today's television shows and movies without some knowledge of our modern world. There are references in these scripts to various aspects of life in our times which someone from a different time would be unable to appreciate. The same is true with respect to understanding Shakespeare and his works - timeless they may be, but they do nevertheless reflect modes of thinking that are, at least in some cases, specific to his time, including a general interest in astrology. -- DJMc. The interest in astrology and the influence it exercised on the public mind in Shakespeare's time is nowhere better illustrated than by some of the allusions he makes to astrology in his plays. In King Lear, we find the aged King thus commenting on the belief of the influence of the stars on the destiny of man:
Gloster's remark that, "These late eclipses in the sun and moon portend no
good to us," brings the reply from Edmund: "This is the excellent foppery of the
world, that, when we are sick in fortune (often the surfeit of our own behavior)
we make gaiety of our disasters the sun, the moon and the stars; as if we were
by necessity, fools by heavenly compulsion, knaves, thieves, and treachers by
spherical predominance, drunkards, liars, and adulterers by an enforced
obedience of planetary influence, and all that we are evil in by a divine
thrusting-on, and admirable evasion of a man to lay his goatish deposition to
the charge of a star. There was a general belief that eclipses of either the sun or moon portended evil, to which Edmund refers in the following lines:
In the first part of Henry VI, there is the following reference to comets and their portent:
In the same play, Talbot thus addresses his son:
In All's Well That Ends Well, Helena and Monsieur Parolles have the following conversation:
The retrogression of a planet, which was said to have an oppressive effect, may also have been alluded to by the King in Hamlet, when he observes, ""It is most retrograde to our desire." In Romeo and Juliet, Romeo rebels against the astral destiny of his beloved, when he hears the news of her death:
Later, in the tomb, he exclaims:
Conversely, in The Tempest, Prospero alluding to his lucky star says:
Overall, we find Shakespeare knowledgeable about astrology, but also skeptical as to its efficacy. Perhaps the bard expressed this best not in any of his plays, but in Sonnet XIV:
Notes:1. There are a number of interesting things to comment upon in Gloster's remarks. First, he makes the point, as most good astrologers do, that "the stars incline, they do not compel." Second, he refers to both the time of his conception and the time of his birth as being astrologically significant. And third, he does not state what astrological sign he was born under, but rather which fixed star (or, in this case, constellation) he was born under. 2. It is difficult to know exactly what Shakespeare thought of astrology, but I have often been struck by the fact that his knowledge of it was fairly deep, and that this fact in and of itself might be a clue as to whether or not Bacon might have been the actual author of at least a portion of those works attributed to Shakespeare.
Original text by C. J. S. Thompson, revised, edited and with additional remarks by D. J. McAdam © 2004-2006. Please note: all applicable material on this website is protected by copyright law and may not be copied without express written permission.
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